Tokyo Literature and Art Times

Page 489

But it doesn't matter, my brother will take a few of them out to play.

The four children are playing happily and carefree in the sunshine.

It is said to be for fun, but in fact it is just a stroll on the street.

But even so, this sunny shot made people laugh along with them unconsciously.

This shot is really beautiful.

Suddenly, the scene changed.

Back home again.

"how could you do this!"

"elder brother……"

It was the voice of little sister Xiaoxue, she might have made some mistake.

The reason for this is that now it is impossible to see anything at all, because the camera is in an odd position.

patting the children's feet.

Kurosawa and Nakadai Tatsuya could only hear some voices, but it was these voices that made their hearts entangled!

Finally, when I came here, I understood why Takeshi Iwata always patted the children's feet.

He's not a pervert, he's leaving enough room for this.

That's right, I shot like this before, and now I shoot like this, it will look very natural, without any deliberation.

But this way of shooting, what happened between the brother and the sister can be dealt with in a very good way.

We also don't know what happened to the four little ones.

I'll leave it to your imagination.

Before long, the sibling quarrel ended.

As for the little girl Xiaoxue, she also remained motionless.

"Dead?" Kyoko asked.

Ming, indifferent.

Mao wanted to cry, but couldn't cry.

The camera goes dark here.

When it was bright again, there was an extra water outlet in the house.

Together with Ming, she sat on the edge of the balcony, motionless, and didn't even say anything.

Transitions.

The two of them appeared on the bus, and this time, there was that big LV suitcase between them.

What are the two going to do?

Tatsuya Nakadai frowned at this moment, but what about Akira Kurosawa?

His eyes are moist.

To a park, not far from here is the airport.

Ming and Shuikou began to dig holes with simple tools.

"How did you know you did that?"

"I saw my mother do it."

Shuikou only asked this question, then stopped talking and helped Ming dig a hole together.

Until both of them were covered with mud.

Just like that, the two of them went back, and there was still the LV box.

Shots are always given to that box.

Xiaoxue was not seen.

Neither of them said a word.

Akira Kurosawa, a film master, was already in tears when he saw this.

At the end of the movie, the frame is fixed on the picture of three children holding hands and walking in the sunshine.

This is the end.

The movie isn't finished yet, but that's enough.

……

Chapter 375 Once again, Venice Film Festival

"Finish it."

Takeshi Iwata is a little strange. Mr. Akira Kurosawa just said such a sentence after watching the unfinished "Nobody Knows".

Is there any need to talk about this?

Iwata Takeshi felt that this sentence was quite good, and it contained many things, which he had never even wanted to face.

Forget it, don't think too much, just finish cutting.

"Nobody Knows" is not a very complicated cheap film, and there are no special effects. Moreover, Takeshi Iwata originally planned to present it in the form of a pseudo-documentary.

Therefore, the overall workload is not too much, it's just that the old man Akira Kurosawa is too anxious.

Of course, he will not take this movie lightly, and will definitely present what he wants to talk about very seriously.

In fact, generally speaking, it is still different from Hirokazu Kore-eda's original version, as if these children are together, and Takeshi Iwata can't control what happens to them.

But at the end of the day, it's just everyday life.

Iwata Takeshi was actually filming and filming, and he finally understood why Hirokazu Kore-eda named this movie "Nobody Knows".

These things he photographed are things that no one knows.

Therefore, Takeshi Iwata did the same.

As for the death of his sister Koyuki, Takeshi Iwata did not deal with it like Hirokazu Kore-eda.

In the original version, Xiaoxue died just like that.

No reason, no idea, no idea at all.

It should be said that this kind of treatment is somewhat idealized. According to Takeshi Iwata, at least this movie is based on the prototype event, so we must at least respect the prototype event.

Since the eldest man admitted that he accidentally killed his sister...

This should be there.

However, Takeshi Iwata still dealt with it, so that this unfortunate scene did not really appear in front of everyone's eyes.

In short, now that the filming is over, he is cutting slowly.

That's all good.

But Takeshi Iwata didn't expect that he would still be approached.

……

"Iwata, why don't you come to the Cannes Film Festival this time?"

"Can I go this way?"

"Okay, why not? Of course, you'd better have a film."

"Why do I feel like you just want me to make a movie and go to Cannes?"

"Haha... Now that you said that, let's just say it straight."

It was Thierry and Marco who came to look for Takeshi Iwata.

Of course, these two guys were recommended by Takeshi Iwata before, that is, the movie "Farewell My Concubine".

This recommendation made the two of them very happy, especially Thierry, an old and honest white flag.

After reviewing the film, many people are optimistic about the film.

Speaking of this matter, Iwata of course understood that some of them must have malicious intentions, but this movie is indeed excellent, which cannot be disputed.

So, what about you, Director Iwata?

Thierry and Marco hope that Takeshi Iwata will support them both.

In other words, nowadays, it seems that many people are counting on Takeshi Iwata.

Toho's Shimadani and Yamauchi.

And these two guys.

Plus, the Weinstein brothers.

Good guy, could I, Takeshi Iwata, be the savior?

Let’s forget about this kind of thinking.

If it's Cannes, I still won't go.

In fact, Takeshi Iwata has a very deep understanding of this Cannes Film Festival.

After all, there is the history of "Farewell My Concubine".

In fact, Cannes this year was a double-yolk egg, and two films won the Palme d'Or.

If you look at the three major European film festivals, double yolk eggs are actually not particularly rare.

Of course, it's not mainstream.

But there are many stories behind every double yolk egg, and this time is probably no exception.

And even if you don't think about these stories, it is this double yolk egg, and Takeshi Iwata feels that there is no need for him to go to Cannes.

It's really unnecessary, why make things difficult for those guys.

Well, he wasn't afraid, he just felt it was unnecessary.

However, some people do not give up.

"Iwata, your decision is right. After all, you recommended that movie. It's really not good for you to participate again."

"Oh, so what do you mean?"

"Hey, you know, after Cannes is Venice, I think your movie..."

"Oh, I get it."

"You understand, then..."

"There is indeed a movie."

"awesome!"

This guy Marco, he even prefers to use Chinese when communicating with Takeshi Iwata.

What Takeshi Iwata said was, of course, "Nobody Knows".

It's just... oh, Hirokazu Kore-eda was originally the one who made a big splash at Cannes, if he sent this film to Venice.

This...is inexplicably fun.

In fact, as far as Takeshi Iwata is concerned, he is not very keen on these international awards.

At least it's not as attractive as it used to be.

But, after all, we are acquaintances.

This Ma is a real China hand. He later served as the chairman of the Venice Film Festival for ten years.

In the past ten years, Chinese films have always been able to go to Venice.

As far as awards are concerned, there are some details that need attention.

For example, shortlisted.