Tokyo Literature and Art Times

Page 488

Their family is fare evasion.

Then, it must be very poor... Oh yes, in the prototype incident, it is actually poor.

But then, everything is the daily life of this family.

It can be seen that the mother of female A is quite responsible.

She tried her best and used her best ability to raise these four children.

It can also be seen that among the four children, the eldest son is the real backbone.

Obviously, he can help mother do many things.

But all of this is indeed daily.

What can be seen in these daily life?

Kurosawa couldn't figure it out for a moment.

Even, as far as the shots are concerned, Takeshi Iwata always gives some very low-level shots.

Always pat the feet of these children.

The children are talking and playing, but the angle of view is their feet.

What is this doing?

Wait a minute, even though that little girl Jingzi is not very old, she can tell that her legs are very well shaped.

Of course Akira Kurosawa doesn't know now that Nagasawa Masami will be a girl with beautiful legs that is rare in the Japanese entertainment industry.

At the age of 12, she won the Dongbao Cinderella championship with a pair of beautiful legs.

So, that's why Takeshi Iwata took pictures of his feet?

Suddenly, the screen changed.

Mom took Ming to pick up the rubbish.

For a moment, Kurosawa had a strong feeling.

This family is so poor, but not far from them, there are rich people.

Moreover, the LV suitcase they used must have been discarded by the rich.

So, this, this...

The strong and dazzling contrast that cannot be ignored makes it impossible not to think in that direction!

Is Takeshi Iwata left-wing?

Is this a left-wing film that criticizes social reality?

……

Chapter 374 "Nobody Knows" Nobody Knows What Happened

When the idea of ​​the left wing appeared in Akira Kurosawa's mind, he immediately laughed.

This is not laughing at Takeshi Iwata, but laughing at himself.

What about the left?

So what if you're not left-wing?

These are actually not very important things for a movie.

I still think too much.

Isn't a movie about its story, the camera and the performance of the actors?

If it is left-wing, then the original prototype event of this movie is left enough.

Why did those four children live that kind of life in a highly developed country like Japan, and no one found out after several months?

Moreover, the prototype event itself is even more frustrating.

Society just punished the mothers of these children.

But what about this mother's situation?

In the public opinion situation at that time, many people just scolded the mother and condemned the eldest son.

A lot of people just think that these two guys caused tragedy.

Yes, one person abandoned the child, while the other beat the little sister to death just because of a mouthful of instant noodles.

But why don't you think about it, these children have been raised so big, if possible, how can a mother abandon them?

How could the elder brother have the heart to kill his younger sister?

Moreover, that brother has no news now, so he must be in great pain.

Kurosawa also saw something from the movie.

It is clear that this elder brother is hardly a child. Although he has many children's instincts, he understands many things.

In fact, what he wants most is that the four of them should not be separated.

He actually thought of many ways and tried his best.

The movie may be different from the prototype story. After all, we don't know what happened between the four children in those months.

However, we are very clear about one thing.

With 20 yen, the four children have persisted in Japan for several months. They have really worked hard.

Therefore, you shouldn't be too harsh on this brother, why would he want his sister to die.

After the old man Akira Kurosawa thought of this, he suddenly understood one thing.

Why does Takeshi Iwata shoot so many 'family routines'.

The lives of these children, with their mother, with their elder brother, take care of them better than their elder brother, and so on.

Because it is very simple.

The movie is called "Nobody Knows," which means no one knows.

Yes, none of us know what happened to this family, what happened to these four children with their mother, and then without their mother.

Nobody knows, nobody knows.

Now that the movie is out, let everyone know.

Perhaps, this movie is not the truth, but these shots are extremely close to the truth.

We can probably imagine that these children...

Kurosawa couldn't help asking a question.

"Didn't that fellow Ah Wu say anything?"

Nakadai Tatsuya thought for a while, and then replied: "He said, he didn't teach these children how to act."

Kurosawa couldn't help being shocked after hearing this.

"Siguoyi."

As soon as this sentence came out, even Nakadai Tatsuya couldn't help but widen his eyes.

Can you get such praise from the teacher in this way?

Can't figure it out!

Fortunately, Kurosawa explained with a smile next.

"That kid is really powerful, he just brought these four children together, that is to say, these are the spontaneous occurrences of the four children together, and these scenes of life seem very real.

So, what will happen to the children in the prototype story?

We really don't know, but he put the kids together and let something happen to them.

This is probably the closest to the truth. "

After Nakadai Tatsuya heard this, he felt as if he had been hit hard.

"Siguoyi!"

Indeed, this is the truth!

Maybe those kids went through that too, maybe.

So, this is no one knows, no one knows what happened, not even Director Iwata himself.

But he can only shoot so far.

This is even more reflected as the movie goes on.

The appearance of Mizuguchi, and the 'Natsuki plot'.

Kurosawa was amazed again.

Hmm, left-wing vibes too.

However, Ming's reaction was very interesting. At such a young age, he did not accept the money that Mizuguchi got from his uncle.

Could this have happened?

Next, a very beautiful plot appeared.

Four children, they had some small frictions before.

For example, the younger brother did not go home because of his playfulness, and Ming was so anxious that he even wanted to use the little money he had to find his younger brother, but later found that his younger brother was just fighting the toy car with the children.

Ming was very angry and scolded his younger brother severely.

The younger brother Mao was also very stubborn, so he talked back.

The two fought a few times.

The elder brother told the younger brother not to come back.

However, the younger brother followed his elder brother after crying for a while.

The steep stairs up and down were originally where their family played games.

Guessing fist, whoever wins will be on the top.

that's it...

Akira Kurosawa could tell that the shots here were different from before.

The shot here is not like a normal shot, but a bit like a candid shot.

Probably, this paragraph is not in any script at all, it is the 'infighting' between the two brothers.

Takeshi Iwata... Akira Kurosawa couldn't help laughing.

I'm afraid Takeshi Iwata didn't have any script for this movie.

Yes, as long as there is a general story structure, the rest are all these little actors and that mother...

Wait a minute, who is the mother?

Akira Kurosawa rubbed his eyes, he thought about it before he figured it out.

Ah, it turned out to be Rie Miyazawa.

This is too unlike.

too……

The film master was even happier.

But, soon, the movie, which hadn't really finished editing, gave the old man a heavy punch.

The weather has warmed up.

The four children are at the end of their ropes, and my elder brother can only bring everyone the cheapest instant noodles.

Also, there is no guarantee that everyone has one.

Everyone can only eat a small amount.

The elder brother's clothes were already very dirty, but the other children were better.